1858-1928 Dutch Jan Toorop Gallery He moved to the Netherlands in 1872 and took a course in drawing at the Polytechnische School in Delft (1876-9). He also studied at the Rijksakademie voor Beeldende Kunsten in Amsterdam (1880-82) and at the Ecole des Arts D?coratifs in Brussels (1882-5). In Amsterdam he joined the St Lukas Society, and in Belgium he was a founder-member of Les XX in 1884. Although he had met Jozef Isra?ls in 1880 and respected the style of the Hague school, he was more attracted by what he saw in Brussels, particularly work by French artists. His portraits of 1884 are painted in an Impressionist style. With other members of Les XX he trained himself in plein-air; he learnt from James Ensor how to apply colours with a palette knife and how to use white with the same intensity as other colours. His style, however, remained austere and his scenes of workmen show a sensitive realism reminiscent of Gustave Courbet's work, for example Respect for the Dead.  Related Paintings of Jan Toorop :. | Desire and Gratification(The Appeasing) | The Dunes and the Sea at Zoutlande | Soul Searching | The Young Generation (mk19) | Desire and Satisfaction |
Related Artists:
Charles Altamont Doyle
1832-1893 was a Victorian artist. He was the brother of the artist Richard Doyle, and the son of the artist John Doyle. Although the family was Irish, Doyle was born and raised in England. In 1849 he moved to Edinburgh where he met Mary Foley. They were married on 31 July 1855. Their children included Arthur Conan Doyle, creator of Sherlock Holmes, John Francis Innes Hay Doyle (known as Innes or Duff), and Jane Adelaide Rose Foley n??e Doyle (known as Ida). Doyle was not as successful an artist as he wished, and suffered depression and alcoholism. His paintings, which were generally of fairies, such as "A Dance Around The Moon", or similar fantasy scenes, reflected this, becoming more macabre over time. In 1881 Doyle was committed to a nursing home specialising in alcoholism. While there, his depression grew worse, and he began suffering epileptic seizures. Following a violent escape attempt he was sent to Sunnyside, Montrose Royal Lunatic Asylum, where he continued to paint. He died in Crighton Royal Institution in 1893.
Emma Sandys
Emma Sandys (born Mary Ann Emma Sands) (1843 - 1877) was a 19th-century English painter. Sandys was born in Norwich, England in 1843. She was taught by her father, Anthony Sands, and worked in portraits in both oil and chalk, often in medieval or period dress. Her earliest dated painting is marked 1863 and she exhibited her works in both London and Norwich between 1867 and 1874. Sandys did most of her work around Norwich but may have spent time in the studio of her brother, Frederick Sandys, in London. She died Norwich in November 1877.
Percy Gray
1869-1952 was an American painter. Gray was born into a San Francisco family endowed with a broad literary and artistic background. He studied under Arthur Frank Mathews at the San Francisco School of Design and later under William Merritt Chase. While he had some early Impressionistic tendencies, his primary expression was under the Tonalism Mathews had brought back from Paris. He is known for his extraction of beauty from the Northern California landscape. Alexander Gray, Percy's father, was born in England, but found his way to a successful insurance business in San Francisco. As the byproduct of a childhood illness, Percy realized he had talents in art. From 1886 to 1888 he attended the California School of Design, then led by Mathews. From there he went on to become a newspaper illustrator, obtaining a job with the New York Journal. In New York he also studied at the Art Students League. He was dispatched from New York to cover the 1906 San Francisco earthquake, but decided to remain in his native city where he would then take up his painting career. Gray's first pieces, headland seascapes, were exhibited in 1907; soon thereafter he addressed in watercolor eucalyptus groves and fields of California wildflowers. These subjects would become signatures of his work. Originally Gray's works were oils; however, he eventually developed an allergy to oil paints, and therefore switched to using watercolors as his primary medium. [1] From early on the critics marvelled at his ability to infuse realistic depictions of nature with a mystical and poetic quality. He was clearly applying the precepts of his mentor William Merritt Chase in exaggeration of light and color. From 1912 to 1923 Gray lived in Burlingame, California about twenty miles south of San Francisco, while keeping his studio in the city itself. At the 1915 Panama-Pacific International Exposition he won a bronze medal for his watercolor Out of the Desert, Oregon. Having been a bachelor for 53 years, Gray surprised his friends by marrying. He and his bride moved to the Bonificio Adobe in Monterey, where seascapes and cypress dominated his later works.